If you’re looking for Best Mirrorless Cameras Under 1000 that offers more advanced features than budget models, there are many options available in the $500-1000 range. These cameras usually offer more direct controls than cheaper models, better autofocus, and some even have 4K video capture. Some of them are easy to use, while others require more time to learn.
Point-and-shoot: Sony a6100
In addition to taking great photos, the a6100 has one of the simplest and most powerful autofocus systems we’ve tested, especially in this class of camera. Selecting your subject is easy, and the camera’s ability to track moving people is phenomenal. The a6100 has a selfie-friendly flip-up touchscreen and an electronic viewfinder of average quality. Burst shooting tops out at 11 fps with continuous autofocus – making it a great choice for action photography.
The a6100 falls a little bit short when it comes to usability and video quality. It’s not the most engaging camera to use, with its cluttered controls and confusing menus, but the auto mode and simple, powerful autofocus mean it’s still a great point-and-shoot. On the video side, there’s plenty of detail, but there’s also a lot of rolling shutter and a sizable crop when shooting 4K/30p video (the latter isn’t an issue at 24p). That said, the camera’s AF system can work just as well for video as it does for stills.
The a6100 falls short in areas of usability and video quality. It’s not the most engaging camera to use, with cluttered controls and confusing menus, but the auto mode and simple, powerful autofocus mean it’s a great point-and-shoot. When shooting 4K/30p video, there is a lot of rolling shutter and a sizable crop (the latter isn’t an issue at 24p). That said, the camera’s AF system can work as well for video as it does for stills.
More control: Fujifilm X-S10
The X-S10 gives you more control over your photography than the a6100, with front and rear dials for exposure and a joystick to position the autofocus point. It’s a hands-on photographic experience that’s a match for the camera’s classic SLR-style design, but there’s also a fully articulated screen to allow waist-level shooting and video. With the X-S10, you can really take your photography to the next level!
The Fujifilm’s in-body stabilization is a major selling point, as it means you’re more likely to get sharp photos and steady video footage regardless of the circumstances. With a top shooting speed of 20 frames per second, it can’t quite keep up with the Sony when it comes to autofocus power and simplicity. The Fujifilm’s autofocus is generally good, but its subject tracking isn’t as reliable. This means you’ll need to be extra careful to keep the AF on your subject.
The Fujifilm X-T3 offers great video quality with 4K at up to 30p and no crop, as well as well-controlled rolling shutter. The headphone and mic sockets are also a great feature for optimizing audio. But the Fujifilm’s most compelling feature is its range of Film Simulation color modes, which offer a wide choice of attractive ‘looks’ for your photos and video, without the need for filters and additional processing.
The Fujifilm’s video quality is excellent, with 4K resolution at up to 30p and no crop. Rolling shutter is well-controlled, too. The camera also has headphone and mic sockets for optimizing audio. But the Fujifilm’s most compelling feature is its range of Film Simulation color modes. These modes offer a wide choice of attractive “looks” for your photos and video, without the need for filters and additional processing.
The Fujifilm X-T4 has great features that make it a great choice for anyone looking for a high-quality camera. The video is top-notch, with 4K at up to 30p with no crop and well-controlled rolling shutter. The headphone and mic sockets are also a great feature, allowing you to optimize the audio for your needs. But the Fujifilm’s most compelling feature is its range of Film Simulation color modes, which offer a wide choice of attractive ‘looks’ for your photos and video, without the need for filters and additional processing.
